THE POET'S GARAGE

Praise for THE POET’S GARAGE

At once both lyrical and metaphysical, the poems in 'The Poet's Garage' are woven together with a lithe descriptive magic peculiar to Tierney's work, leaving us wanting more of the poet's proactive and provocative memories as we turn the last page of this fine book of poetry.

Mark Murphy, THE MIDWEST BOOK REVIEW

Tierney offers a multitude of spaces in The Poet’s Garage where different generations operate the tools they work with and preserve the memories and images of their lives: garages, attics, gardens, fields, boxes, and the water’s edge. In these spaces the poet reveals objects that resonate like lost memories whose existence becomes the palpable language and words—the very tools—of poetry. Tierney’s images--“Highway, wet, black / as cancer when it hits”—are powerful and precise, as they unify and divide into something that is always surprising and compelling.

Jeffrey A. Portnoy, Professor of English, Perimeter College of Georgia State University, and Former Associate Editor, The Chattahoochee Review

I love how Tierney’s poems shape-shift, capturing the elusive, slippery quality of reality: “I am both smaller and larger, older and younger,/ a mechanic and a smith. Look in the garage....” The Poet’s Garage is a rich repository of life in all its facets: old men’s stories, a lover’s scent, wet saplings, broken bottles, disappointments, aging. As poetry should, these poems awaken us to the aliveness and resonance of ordinary moments.

Dorothy Wall, author of the poetry collection Identity Theory. She has taught poetry and fiction writing at San Francisco State University and U.C. Berkeley, Extension, and works as a writing coach in Oakland.​

Terry's poetry has a clear, simple narrative thread, imbued with imagery that's tight, fresh, and surprising. It triggers readers to reconsider their own narratives, be it the thoughts they had when they last painted a house, recalled the smell of a particular flower, or listened to the sounds of an old house late at night. Terry's poetry is rich with images that evoke all the senses. His book invites us to not just read the poetry but to engage with it, to be delighted by his--and our own--revelations.

Stewart Florsheim, poet and author of A Split Second of Light and The Short Fall From Grace

The Poet’s Garage, Terry Tierney’s debut collection is, like most garages, a wild mashup. Loss, patch-ups and re-building are the themes that stitch this collection together. In compact lines and gorgeous prose poems, Tierney speaks to what it is to be an observer, a recorder and a player all at once. From the “The Museum of Personal History”: “You clutch your memories like relics of saints/And snarl at me when I come too close.” Life is treacherous. Owning good tools helps. The Poet’s Garage reports on the  breakage and repairs of assumptions and plans as only a skilled poet can.

Joan Gelfand, poet and author of You Can Be a Winning Writer.

In the MEDIA

About TERRY TIERNEY

Terry Tierney is a writer who hails from the Midwest, but has planted roots in the San Francisco Bay Area. After serving in the Seabees, he completed his BA and MA at Binghamton University, and completed a PhD in Victorian Literature at Emory University. He taught college composition and creative writing courses, and survived several Silicon Valley startups as a software engineer. He lives in Oakland with his wife, Michaelyn Burnette, a Librarian from the University of California, their two Persian cats, and their enthusiastic Golden Retriever. Tierney's work has appeared in countless publications. His poetry collection, The Poet's Garage, was published in May 2020 by Unsolicited Press. More can be learned at http: //terrytierney.com.