THE BUNKER BOOK

Praise for THE BUNKER BOOK

Some books read as if they were cities: the reader is walking its neighborhoods, experiencing the music and bustle of each street, each poem. Like New Orleans itself, Anne Babson’s The Bunker Book is a glorious hodge-podge of voices and influence. As if walking Bourbon Street, we hear German, Spanish, and French co-mingling as Psalms sidle into Elvis, Laura Ingalls, and Mrs. Havisham; as free verse follows villanelle, ghazal, and blank verse; as churches are built beside bar. And as it does, history’s shadow stretches into the contemporary. These are poems of witness, and more importantly in these troubled times, poems of hope. The Bunker Book presents “a city safe for women built on heroic/couplets,” and Anne Babson is quite the architect. 

—Gerry LaFemina, author of Baby Steps for Doomsday Prepping

Anne Babson’s poems are bunkered under the intersection of learning and lived knowledge, in depths where history and myth share roots and where blood and milk share a source. Bookish and puckish, formal and transformative, Babson’s poems range through time and space while always returning to (or do they ever leave?) the fever-dreamscape of her New Orleans. Along the way, she counters patriarchy’s fatal predations with a restorative feminism that calls us to action. Spend some time in this bunker and you’ll emerge, with Babson’s saints, ready to dance and to fight.  

—Brad Richard, author of Parasite Kingdom and Motion Studies 

What do you do when the world closes in on all sides? If you’re Anne Babson, you sustain yourself in a fortress of books and let your mind wander where it may. Babson’s The Bunker Book is a delightful feast of linguistic wit and play. In these poems you will party with Gertrude Stein in PJs, go bar-hopping with the Vampire Lestat--and that’s on a slow night! Of all the writers who entered lockdown with optimistic plans for their work, only Anne Babson could emerge from her bunker with such a brainy, brash, gut-busting, brouhaha of a book. Do yourself a favor and dive in.

—Alison Pelegrin, author of Our Lady of Bewilderment

Anne Babson's The Bunker Book knows no boundaries. Shifting through place and time, the poems commune with a variety of fictional and historical women, each living in their own metaphorical bunkers. From The Wife of Bath to Sylvia Plath to Heather Lewis, every encounter is dark, playful, hallucinatory, revelatory. Like Ilya Kaminsky's Deaf Republic, this book explicates a civilization. Poetry lovers should rush to these pages.

—Maurice Carlos Ruffin

Some books read as if they were cities: the reader is walking its neighborhoods, experiencing the music and bustle of each street, each poem. Like New Orleans itself, Anne Babson’s The Bunker Book is a glorious hodge-podge of voices and influence. As if walking Bourbon Street, we hear German, Spanish, and French co-mingling as Psalms sidle into Elvis, Laura Ingalls, and Mrs. Havisham; as free verse follows villanelle, ghazal, and blank verse; as churches are built beside bar. And as it does, history’s shadow stretches into the contemporary. These are poems of witness, and more importantly in these troubled times, poems of hope. The Bunker Book presents “a city safe for women built on heroic/couplets,” and Anne Babson is quite the architect.  

—Gerry LaFemina, author of Baby Steps for Doomsday Prepping

About ANNE BABSON

Anne Babson’s first collection The White Trash Pantheon won the Colby H. Kullman prize from the Southern Writers Southern Writing Conference in Oxford, Mississippi. Her second collection, Polite Occasions, was published by Unsolicited Press, and her third collection, Messiah, was published by Saint Julian Press. She wrote the libretto for the opera Lotus Lives, which has been performed in New York, Boston, and Montreal, and it is set to be released to video in coming months. She is the author of four chapbooks– Uppity Poems, Dictation, Poems Under Surveillance, and Dolly Shot. She has been anthologized in the United States and in England, most recently in the notable collection Nasty Women Poets: an Unapologetic Anthology of Subversive Verse released in 2017. Her work has appeared in literary journals on five continents and has won numerous editorial awards. Her play about gun culture in the South, Reenactment, was published in 2019.  She has been nominated for the Pushcart Prize four times. She has received residency grants from Yaddo and Vermont Studio Center. She writes lyrics for a variety of musical projects, most recently a blues album. She teaches writing and literature at Southeastern Louisiana University. She is the president of the Women’s National Book Association of New Orleans.